Keeping the momentum | 
    
  
    | 7.1  | 
    The breadth of the CER and the vision of the SEM  is a testament to the close relationship between Australia and New Zealand.  | 
  
  
    | 7.2 | 
    The committee did hear criticism of the CER  process. Much of this related to the speed of implementation of agreements: 
 . . . it certainly  does need the political will on both sides to keep momentum and to ensure that  the Australian and New    Zealand presence in world best practice is  evident. That is where, over the years, we have had some problems in focusing  attention on CER.  
 
Our principal concern is in the delays in completing elements  of the CER. There are matters outstanding under the services protocol.1 
      
       | 
  
  
    | 7.3 | 
    Whilst the committee has not agreed with all of  the criticism of the CER we believe that the momentum issues should be  addressed by either the setting up of a CER Coordinating Secretariat/ Inter -  Departmental Committee or, in the event either of these are found to be  infeasible, this report itself will place a focus on and affect the momentum of  the CER.  | 
  
  
     | 
      | 
  
  
    A world class agreement: springboard to world trade | 
    
  
    | 7.4  | 
    What came strongly out of the evidence was that  ANZCERTA is a world class trade agreement. It is worth quoting some of the  evidence to this effect: 
      The World Trade Organisation (‘WTO’) has described CER as the  “world’s most comprehensive, effective and multilaterally compatible free trade  agreement.2
       CER represents the model for other free trade  agreements.3  
       | 
  
  
    | 7.5  | 
    CER provides a base from which further  opportunities for global trade can be: 
      CER and the additional initiatives on Trans-Tasman  integration are only to a degree about the Australian and NZ markets. In  reality they are about creating a base for exporting goods and services to the  international market. Together the Australian and NZ markets for most products  are relatively small. In the international market the opportunities are much  greater.4
       CER has strengthened the trans- Tasman relationship, facilitated trade and investment, and  stands ready as a platform for a regional, combined integration into larger  regional economies and global networks.5 
      CER has  created an ‘Australasian market’, giving New Zealand and Australian  businesses a springboard to expand their exports to the rest of the world. Australia is  the first offshore market for many New Zealand businesses and  likewise, New Zealand  provides a straightforward first market for many Australian companies.6  
       | 
  
  
    | 7.6  | 
    The economies such as China and India with  cultural and business barriers that are often difficult to cross are  particularly important to Australia  and New Zealand.  The close trans- Tasman business and trade relationship(s) that have been  engendered by CER will, as outlined above, only serve to strengthen joint  approaches to trade and investment in North and South Asia.7 
       | 
  
  
     | 
      | 
  
  
    More than trade: a cultural exchange | 
    
  
    | 7.7 | 
    As well as being a world class trade agreement  the CER provides more than trade benefits. The agreements that make up CER work  towards cultural linkages and broaden the cultural exchange between the two countries.  | 
  
  
    | 7.8  | 
    Along these lines under the current protocols  for the movement of professionals between the two countries, Australia and New Zealand  have a healthy exchange of cinema and film professionals. Major films shot in  New Zealand (e.g., Lord of the Rings, King Kong etc) have had  significant Australian participation.8 
       | 
  
  
    | 7.9  | 
    Australia and New Zealand entered a film  co-production Memorandum of Understanding (MOU) in 1994. The effect of this  arrangement is that a film or television program approved as an official  co-production is regarded as a national production of each of the co-producing  countries and is therefore eligible to apply for any benefits or assistance  available.9 
       | 
  
  
    | 7.10 | 
    These agreements help Australian producers and  producers from other countries work creatively together and share the costs and  risks of film production. An agreement can also assist to increase the output  of high quality productions.10 
       | 
  
  
    | 7.11 | 
    Australia  currently has eight film co-production agreements in place, six are treaties  and two are MOU (having less than treaty status). As of March 2006, 84 co-productions  with a total budget of approximately $808 million have gone into production.11 
       | 
  
  
    | 7.12 | 
    Since the inception of the MOU with New Zealand,  eight productions (four feature films and four mini-series) have been  undertaken, representing a total budget of $38.46 million.12 
       | 
  
  
    | 7.13  | 
    The Australian Government’s refundable film tax  offset (the offset) and New    Zealand’s Large Budget Screen Production  Grant (the LBSPG) are almost identical programs aimed at attracting  large-budget film and television productions to each country.  | 
  
  
    | 7.14 | 
    The National Gallery of Australia has  developed the exhibition Constable: Impressions of Land, Sea and Sky in  partnership with the Museum   of New Zealand, Te Papa  Tongarewa (Te Papa). Te Papa are the second venue for the exhibition and will  share the international freight costs with the NGA. Depending on the success of  this venture for both Australia  and New Zealand,  the NGA may seek to send other exhibitions to New Zealand.13 
       | 
  
  
    | 7.15 | 
    This is the first time that the Australian Government  initiative, Art Indemnity Australia, and the New Zealand Government Indemnity  Scheme have been used together to underwrite the tour of a single exhibition to  both countries.14 
       | 
  
  
    | 7.16 | 
    A trade agreement reached between Australia and New Zealand  over 20 years ago has grown to oversee complexities undreamt of at the time of  original signing. The agreement can be enhanced by taking the disparate  portfolio contact points and making their outcomes more accessible to each  other. The recommendation for a Secretariat/Inter-Departmental Committee should  go some way to doing this. Expansion of the agreement, particularly in the area  of telecommunications, can be effected with closer Ministerial, official and business  contacts. Where there has not been the expected level of contact the committee  has made appropriate recommendations.  | 
  
  
    | 7.17  | 
    The Committee  has been impressed and proud of the way in which the relationship between Australia and New Zealand has  been managed by Ministers, Departmental officials and business leaders alike. 
      
        Senator Alan Ferguson 
     Chair 
    December  2006. 
        
        | 
  
  
    | 1  | 
    Mr C Mackay, Executive Director, Australia New Zealand Business Council, Evidence, 12/05/06,  p. 15. Back  | 
  
  
    | 2  | 
    Telstra Corporation Limited/TelstraClear Limited, Submission 6, Vol 1, p. 66. Back | 
  
  
    | 3  | 
    New Zealand Australia  Connections (NZAC) Research Centre, submission  15, Vol 1, p. 168. Back | 
  
  
    | 4  | 
    Fonterra Cooperative Group, Submission 2, Vol 1, p. 8. Back | 
  
  
    | 5  | 
    New Zealand Australia Connections (NZAC) Research Centre, submission 15, Vol 1, p. 168. Back | 
  
  
    | 6  | 
    NZ Government, submission 9, Vol 1, p. 98. Back | 
  
  
    | 7  | 
    See comments by New Zealand Australia Connections (NZAC) Research Centre, submission 15, Vol 1, p. 169. Back | 
  
  
    | 8  | 
    Department of Communications,  IT and the Arts, submission 22, Vol 2, p. Back | 
  
  
    | 9  | 
    Department of Communications, IT and the  Arts, submission 22, Vol 2, p. Back | 
  
  
    | 10  | 
    Department of Communications, IT and the  Arts, submission 22, Vol 2, p. Back | 
  
  
    | 11  | 
    Department of Communications, IT and the  Arts, submission 22, Vol 2, p. Back | 
  
  
    | 12  | 
    Department of Communications, IT and the  Arts, submission 22, Vol 2, p. Back | 
  
  
    | 13  | 
    Department of Communications, IT and the  Arts, submission 22, Vol 2, p. Back | 
  
  
    | 14  | 
    Department of Communications, IT and the  Arts, submission 22, Vol 2, p. Back |