| 2016 |
Win, Lose, Draw: Art and sport |
| 2016 |
Celebrating Reconciliation and NAIDOC Weeks 2016 |
| 2016 |
Length and Breadth: New acquisitions from the Parliament House Art Collection |
| 2016 |
Next Generation of Australian Banknotes, the new $5 note |
| 2016 |
Romaldo Giurgola: Celebration of life |
| 2017 |
Prevailing Voices: Indigenous Australian Parliamentarians |
| 2017 |
Sageraw Thonar—Stories from the Southeasterly Season: Contemporary Expressions of Cultural Knowledge from Badu Art Centre
|
| 2017 |
Meeting Place: Kumantye Jagamara and Imants Tillers |
| 2017 |
Speaking Volumes |
| 2017 |
Boundless Volumes |
| 2018 |
By the Sea |
| 2018 |
Competition to Completion: Building Parliament House |
| 2018 |
Design in a Decade: The 1980s |
| 2018 |
The Barunga Statement Exhibition |
| 2018 |
‘Because of her, we can!’ NAIDOC Week Exhibition |
| 2018 |
Façade |
| 2018 |
From War |
| 2018 |
Lest we forget |
| 2019 |
Imprint: A survey of the Print Council of Australia |
| 2019 |
My Voice for My Country |
| 2019 |
Indigenous Design Now
|
| 2019 |
Alfred Deakin: Creating a Nation Exhibition |
| 2020 |
Open Air: Landscape photography from the Parliament House Art Collection |
| 2020 |
Voyage of Discovery: Sir Joseph Banks’ Florilegium |
| 2020 |
Sir Edmund Barton: Australia’s first Prime Minister |
| 2021 |
Blitz relics at Parliament House |
| 2021 |
Neville Bonner AO: Australia’s First Indigenous Parliamentarian |
| 2021 |
New Acquisitions: contemporary identity and land
|